Review: Paranormalcy

Title: Paranormalcy
Author: Kiersten White
Series: #1 of Paranormalcy
Genre: Young Adult, Urban Fantasy
Age restriction? None
Published: 31 August 2010
Recommended for: Fans of lighter YA or spec fic
Buy: Paranormalcy @ Amazon

Stellar book with fun characters, original concepts and a great story. A MUST READ NAO book.

DESCRIPTION (via Goodreads): Evie’s always thought of herself as a normal teenager, even though she works for the International Paranormal Containment Agency, her ex-boyfriend is a faerie, she’s falling for a shape-shifter, and she’s the only person who can see through paranormals’ glamours.

But Evie’s about to realize that she may very well be at the center of a dark faerie prophecy promising destruction to all paranormal creatures.

So much for normal. 

REVIEW: I loved this book. Loved loved loved it. Not only were the characters fully rounded and incredibly engaging (even the "bad guys", I love that!), but the main character, Evie, goes through several upsets during the book changing her entire life and the way she views the world. 

While there are your stock paranormals kept at the Center, White also invents a couple as she goes along (including the two main characters), which I found very well-done and enriching. While it may be said that the paranormals the Center pursues are "underpowered", in the context of the book it made a lot of sense - if they were invincible and there were that many creatures all around us all the time, human population would have died out long before the IPCA or the APCA could have been started to contain them. The moral and ethical implications of containment and "neutering" the PNs are also beginning to be explored towards the end, which I found added an unforeseen level of depth to an already exciting and fresh plot.

Speaking of plot, this book's was perfectly paced, leaving you to wonder at the right moments and offering (some) explanations only when you need them.

Paranormalcy was, in my book, almost perfect. It was great fun to read, you really come to care about all of the characters and the story was engaging and original. I had to wrack my brain to come up with something I didn't like, and the only thing I could get was that Evie named her taser gun. Tasey. Yah.

RECOMMENDED FOR: Any fans of spec-fic or YA, and anyone whose soul sometimes craves for just fun and something non-angsty. This book is pretty light and fluffy, so there are no age constraints or worries and is just a general feel-good book. I guess if you think the light side of life and people having fun while in danger is all unicorns and rainbows and stupid, you might want to first lend it from the library or a friend.

Review: Ultraviolet

Ultraviolet by R.J. Anderson

 Title: Ultraviolet
Author: R.J. Anderson
Genre: Young Adult, Contemporary, elements of paranormal and Sci Fi.
Age restriction? Teens, 13+
Published: 2 June 2011 (?)

  Incredibly well written and thought-provoking, Ultraviolet is one of the best YAs I've ever had the pleasure of reading. BUY NOW!

 Description:

Once upon a time there was a girl who was special.

This is not her story.

Unless you count the part where I killed her.

Sixteen-year-old Alison has been sectioned in a mental institute for teens, having murdered the most perfect and popular girl at school. But the case is a mystery: no body has been found, and Alison's condition is proving difficult to diagnose. Alison herself can't explain what happened: one minute she was fighting with Tori -- the next she disintegrated. Into nothing. But that's impossible. Right? (from Goodreads)

REVIEW: Wow, a second top-rated book in less than a month! I hadn't thought I'd encounter another one of those for at least another year! I must have won the "great reads for you" lottery, because this book completely blew me away.

Using superb writing and astonishing characters, Rachel Anderson has crafted a Young Adult novel which is intelligent, consuming and enthralling. I couldn't put this book down and read through the night to finish it with tears in my eyes and a song in my heart. Honestly, I don't know how I'll find the words to do this book justice, but I will try.

Alison experiences the word differently from everyone else she had ever met. She sees the shapes of sounds, she hears the light of the stars, she physically feels sounds. Since her early childhood, she believed that this meant that she was crazy and she had been working very, very hard to hide not only how different she is but how she reacts to events - which serves to make her seem even more psychotic to the psychiatrists who have to evaluate her when she lands up in a mental institution, which is where the book starts.

The thin line between psychosis and the supernatural/paranormal is one which I had always found fascinating and almost hypnotic, and Alison's rigid control over her emotions and reactions  as well as her constant questioning of her sanity and whether she could trust her own thoughts and feelings was something I may even have over-related to, which may have coloured my entire view of the book. Fair warning!
 
Anderson's writing skill is simply astounding. Her use of language to explain Alison's perceptions is incredibly well done and I would not hesitate to rank her as one of the best stylistic writers I have ever read. The writing was just that good, so even if the plot or character hold no interest for you (which I find hard to imagine!), Ultraviolet would be well worth the read for the exceptional writing alone.

That said, I found everything else about the book to be admirable. I have seldomly identified so strongly with a character as I did with Alison, despite the fact that I do not experience the world as she does. Her character is amazingly sympathetic and fully developed. The secondary characters are also vibrant and authentic although the reader's perceptions of them are heavily reliant on Alison's first-person narrative.

The plot is absolutely astounding. It hooks you from the first page and takes you on a rollercoaster-ride through Alison's mind and life at a mental hospital. The final piece of the puzzle was totally unexpected even though it was clearly foreshadowed, once you knew what to look for - even this veteran of mysteries was fooled!

Ultraviolet is, in one word, fantastic, and I can't recommend it strong enough.

Who would like this book? To be honest, it's hard for me to imagine who wouldn't! It's just so well done! That said, this is a YA book with elements of sci-fi, the paranormal and an exploration into the nature of mental illness. There is also a sexual assault, which may upset and/or trigger. The ending may not fall into everyone's comfort zone, either.

Disclosure: I received a pre-release electronic copy from Netgalley with no obligation to rate the book or even review it, so everything in the review is my own, personal and honest opinion.

Review of Zoo City

Title: Zoo City
Author: Lauren Beukes
Genre: Adult, Urban Fantasy, Sci-Fi
Age restriction? YES - rated R. This is a gritty and raw book, dealing with adult themes. Not for sensitive or young readers.
Series: None
Pages: 416
Publisher: Angry Robot; Original edition (December 28, 2010)

WINNER of: The Arthur C. Clarke Award for the best Sci Fi book of 2010.

Rating: 

 Incredible and virtually flawless. Buy and read ASAP!

Description: Zinzi has a talent for finding lost things. To save herself, she’s got to find the hardest thing of all: the truth.

I have the full description up on an earlier post, if you want to check it out, and I also blogged about this South African author winning the Artur C. Clarke Award (which is a HUGE deal!) and how inspiring I found that.

However, I want to make it clear that I'm not just lovin' on this book coz it was written by my South African countrywoman, although that is awesome and inspiring in itself. Not at all. This is a mind-blowing read, although I'll admit that placing it in the Sci Fi genre seems a bit odd to me, since this is a textbook example of excellent Dark Urban/Contemporary Fantasy in my opinion - one of precious few!


Review Summary: I have rarely read a book that I so thoroughly enjoyed and admired - and this comes from someone with a degree in Literature working postgrad in Classics!

Full Review: Zinzi December is in a heap of trouble, and not just with the police. She's got a guilty conscience, gets forced by poverty and desperation into working for an even guiltier group of people, trying to uncover a guilty secret before the guilty get her killed or locked up.


Zoo City is not only an incredible adventure and first-rate Urban Fantasy, it also regards issues of prejudice, muti (South African traditional medicine controversial for its occasional use of human body parts), substance abuse, immigration, poverty, crime and punishment and what people are willing do for success and money. However, it regards these issues with so light a hand that you almost don't notice yourself thinking about these things until a few days later.

Using a first person present tense narrative is something that takes guts in spades, something which very few writers can pull of successfully, but Lauren Beukes rises to the challenge with seemingly effortless ease and grace. I think that the frequent breaks in the narrative by way of newspaper reports, magazine articles and other informative pieces provide just the correct amount of distance and explanation to keep the story fresh and fast-paced without feeling overdone or fake. The present tense gives this story a feeling of immediacy and urgency, while the first person draws you right into the thoughts, secrets and actions of the protagonist, Zinzi - and what a brilliant protagonist she is!

Zinzi is an amazingly complete and compelling character - smart, intelligent, cynic and brave, she's flawed, in some ways very deeply so, but these very flaws strengthen her credibility. Zinzi grew up comfortably as a member of one of South Africa's emerging black upper-middle class, to go to university and become a respected journalist and develop a nasty drug habit. However, as she says, that is her Former Life, before she had Sloth.

In this alternative version of Johannesburg in 2011, those who have committed a crime find their guilt manifested in the form of a symbiotic animal magically tied to them (or at least, that's one theory; the appearance of aposymbiots is rather recent, still being studied and not fully understood) and granting them minor, mostly useless gifts, called shavi.

The animals are referred to as mashavi and with an Animal comes the Undertow - a cloud of blackness that will sooner or later swallow and/or obliterate the Animalled person. You can never be certain of when the Undertow will take you, for take you it will, eventually. The only thing you can be certain about is that if your Animal dies, the Undertow will come for almost instantaneously; yet while your Animal remains alive you're still living on borrowed time.

Some of the examples of shavi mentioned includes being able to find the scene of a murder, being charming, shielding from magic and inciting or heightening lust slightly. Zinzi's mashavi is Sloth, and her shavi is to see the connections people have to their "lost things" - small objects of personal value to the person in question that may or may not be currently lost.

Zinzi can see either the person with a cloud of the objects important to that person tied to them in a way which she describes as "a thread" between the person and the objects. So, it follows that when touching an object that's important to someone, she can feel the "thread" pulling the object back to the person, and then it's just a matter of following the sometimes frustratingly frail thread and finding the person who lost something for some quick cash and the ability to eat that night.

Now "Animalled" and therefore marked as a criminal and possibly dangerous to the rest of society, struggling to find work, acceptance and absolution, Zinzi's living in the most dangerous of neighbourhoods surrounded by the most desperate denizens of society and making ends meet (and trying to repay her drug debts) by writing letters for 419 scams and hoping to stumble across things people lost that are valuable enough that the person would pay her for returning it.

This is how she ends up being suspected of murder, being contacted by dodgy individuals working for a huge-name music producer with a questionable past and looking for a teenaged superstar that no one must know has gone missing. As if that's not enough, her lover just found out that his wife and children didn't die in the DRC civil war, as he had thought, with the always-present additional threat of the Undertow.

I do have some very slight criticisms, mainly because I'm a detail-oriented control freak: I'd have liked to know what exactly the aposymbiosis is - is it a manifestation of guilt? If it is, why is it that some sociopaths who feel no guilt over their crimes still find themselves Animalled? And if it's not, why is it that only those guilty of the most grievous of crimes have one? And who decides what makes up those crimes that deserve an Animal?

Also, why are all the Animals written in Capital Letters? I don't know about you, but when I see Capital Letters strewn around like that, I hear the words spoken in the booming voice of a Cecil B. Demille version of God, although I'm fully willing to admit that that is my own issue and has absolutely nothing to do with the merits of the book. Still, it's a bit jarring to read about this one's Cobra and that one's Butterfly and that one's Hyena, etc. with constantly booming echoes.

I will also admit that I was at first slightly uncomfortable with the thought of a white woman writing the personal narrative of a black woman, especially in this society of ours in this time we find ourselves.

Lauren Beukes explains it beautifully and sensibly in a guest post for The World SciFi Blog, arguing that when we write, we are basically always writing the other, using our imagination to fill in the gaps of that which we didn't actually live and experience, but which our characters did.

This is a completely valid point of view which makes a lot of sense and which I fully support, although I myself would not yet feel comfortable writing in the voice of a black person in South Africa (which is most probably a personal failing!), given my historical and very often very largely invisible privileges that came with growing up white mostly in post-Apartheid South Africa (including but not limited to: being able to study by electricity, living in a house, never going to bed hungry, never having to go without blankets and sweaters and shoes winter because there just isn't money to buy it, etc. etc. which, unfortunately, is still the predominant experience of most South Africans in a society in which the chances of your suffering abject poverty increase dramatically the darker your skin is), but I truly admire Lauren for her braveness, integrity and dedication in worrying, in her words, more about whether Zinzi was Zinzi enough than worrying about whether she was black enough.

Despite these nitpicks, I thoroughly enjoyed the book. It was not only a great read, it was a thoughtful read, without shoving its thoughtfulness down your throat or hitting you over the head with it at all. The writing, too, is beautifully crafted with some unexpectedly hilarious and unpretentiously sensitive and touching moments. The setting comes alive through Lauren Beukes' incredibly vivid descriptions and the slums of the city of Johannesburg almost becomes its own character in this book, which I found delightful (and envy-worthy! How many writers can do that, seriously?).

I don't know what else to say about without spoiling the book, so I'll stop here and just say: this book, although not for the overly sensitive or young, is amazing, if you're willing to deal with some hard facts of reality when reading. The characters are full and real, the setting is so familiar (at least to me :) ) and yet so filled with new and strange things that it remains eternally fascinating, and the story is a fast-paced edge-of-your-seat whirlwind which will keep the adrenaline pumping to the very last page. Also, I'd just like to add, I thought the ending was amazing. I'm hard pressed to think of another character that I loved and admired as much as I loved and admired Zinzi in those last couple of paragraphs.

Read it as soon as you possibly can - and please let me know what you thought of it! Even if it is months or years later and you absolutely hated it, I truly want to know.

This is a book I'll be reading again and again and again, and I hope the same is true for you.